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‘Hindutva’ and the woman




The term ‘Hindutva’ was coined by Vinayak Damodar Savarkar in 1923. He used it for the first time in a pamphlet on Hinduism. It refers to an ideology that aims to define Indian culture in terms of Hindu values and unite all of Hindu society into one State. According to Hindutva, Hindus are people who consider ‘Bharat’ their motherland, fatherland and holy land. Today, Hindutva is a widely used term, recognized and understood by most Indians today. It has gained a wide subscription, especially after the rise of India’s current Prime Minister from the ranks of a Hindutva organization into political prominence.

Hindutva is advocated and spread in the form of Hindu nationalism; one that often turns militant and violent. Hindutva nationalism carries many characteristic trademarks of nationalism: it speaks of grievances against past injustices committed against Hindus, offers a teleological interpretation of history, propagates the idea of Hindu superiority through history, and it appeals to the masses primarily on the basis of race and masculinity.[1] Hindus are characterized as being masculine, aggressive, emotional and sentimental men, obsessed with protecting ‘Mother India’ and the virtue of their Hindu women. The archetypal Hindu is generally a man. It propagates the idea that the reason India has been invaded by foreign forces so often, and continues to be populated by Muslims, is because Hindu India is feminine by nature. It is believed that in order for it to become more assertive and stronger, it is essential that it become more masculine. Thus, ‘Bharat Mata’ is portrayed as a woman who needs to be protected from invasions by her sons, who need to assert and embrace their masculinity.
The primary target of Hindu nationalism is the Muslim community. Hinduism is associated with creation, while Islam is associated with destruction.[2] Muslims are presented as a barbaric, primitive community whose sole objective is to ‘breed’ in large numbers. Hindu nationalism persists and maintains its popular appeal through the idea of this Muslim enemy.

The first Hindutva organization was the Rashtriya Swayamsevak Sangh (RSS), founded in 1925 by KB Hedgewar in Nagpur, Maharashtra. Today, a ‘family’ of organizations, including the RSS, Vishwa Hindu Parishad (VHP), Bajrang Dal (the youth wing of the VHP), and the Hindu Swayamsevak Sangh (overseas branch of the RSS), are members of the Sangh. Most of these organizations were either started by the RSS, as subsidiary organizations, or were inspired by its ideology. The RSS is also considered by many to be the ideological wing of the political party BJP, with many prominent BJP leaders being former RSS cadres.

Although Hindutva ideology and nationalism existed since at least the 1920s, it rose to prominence only in the 1980s. This was caused by a number of factors, such as the decline in the power and appeal of the Indian National Congress (INC), the economic effects of liberalization, several separatist movements involving minorities, the rising ambitions and grievances of the lower class and the moral decay of Indian political life, in general. The first real demonstration of militant Hindu nationalism was the Ayodhya Ramjanmabhoomi movement. Various organizations, like the RSS and BJP, claimed that the spot on which Babri Masjid, a mosque in Ayodhya was built, was also Hindu god Ram’s birthplace. They claimed a Hindu temple had existed there before it was torn down by Muslims and replaced by a mosque. This movement led to the demolition of Babri Masjid in December 1992 by a large mob. This resulted in widespread riots all over the country, with more than 3000 lives lost and numerous people being displaced from their homes.[3] Another significant Hindu-Muslim conflict was the burning down of two train cars carrying Hindutva activists in Godhra, Gujarat, killing 58 passengers. In the communal riots that followed as a form of retaliation, homes and shops of Muslims were looted and burnt, Muslim women raped and mutilated, with a death toll of around 2000.[4]


Any discussion on Hindu nationalism, especially of the militant sort, must begin with an understanding of the RSS and its pivotal ideologies and operation. The RSS has been an all-male organization since its inception.  The ‘shakha’ is the backbone of the RSS. Shakhas are daily gatherings held for RSS workers. They meet for marching and lathi practice, group singing, ideological dialogue and para-military exercise. Through this regular training, the swayamsevaks are supposed to gain masculine traits such as strength, resolve, fortitude and intellectual acumen—all traits possessed by the Kshtariya (warrior) class.[5] The RSS has different classes of workers—sevaks and pracharaks. Pracharaks are full-time, unmarried male workers who devote all their time to the RSS. Their celibacy and non-involvement in family life are viewed as vital for their concentration in furthering the Hindutva cause. The current Prime Minister Narendra Modi, for example, lied about being married for the longest time. He said that people should vote for him because he is an unmarried man, and therefore, has no family to steal government money for and no familial distractions in the way of his political life.[6] He said that the nation is his family—something that is a prominent part of the RSS’ ideology.

The RSS does not believe in the idea of non-violence. This has repercussions for the lives of women, as violence is constantly inflicted on them in particular. It legitimises violence in situations where someone is believed to behave in a ‘un-Hindu’ manner, making it easier for men to physically and sexually abuse their wives.

Since Hedgewar insisted that the RSS remain an all-male organization, the Rashtra Sevika Samiti was started by Lakshmi Bai Kelkar in 1936, as the women’s wing of the RSS. The Samiti takes part in all the same avenues as its male counterpart. It conducts daily shakha sessions and the sevikas are trained along the RSS’s physical and ideological lines.

The ideal RSS swayamsevak has often been portrayed as Lord Ram, who is presented as the primary Hindu god, and therefore, the epitome of good Hindu conduct. His wife, Sita, who is believed to have sacrificed her life to preserve her family’s honour, is presented as the ideal sevika. Hindu nationalism has given this ideal woman, who earlier only had a place in the home and family, a space within the political as well.
There are certain female members of the Hindutva brigade who exemplify this conception of female political assertion. The Rath Yatra in 1990, in particular, saw women emerging in a space that was earlier uncharted territory for women—the space of militant political activism.

A few women played an especially prominent role in this movement, emerging as both the engineers and facilitators of the movement. The BJP recorded and distributed audio tapes with speeches of two such women: Sadhvi Rithambara and Uma Bharati. In their speeches, they urge Hindu men and women to join the mission to restore the Ram temple to its rightful place. Through their speeches, which are extremely violent, sensational and persuasive, these women manage to reverse several traditional constructions of gender that exist in Hindu culture. They are no longer compliant, peaceful and non-confrontational as Hindu women are generally expected to be.[7]

Sadhvi Rithambara is one of the leading cultural activists of the RSS. At the age of sixteen, Rithambara is said to have had a ‘strong spiritual experience while listening to a discourse by Swami Parmananda, one of the many “saints”’ in the forefront of Hindu revivalism.’[8] She then left her home and family in the village of Khana, Punjab and joined Swami Parmanand’s ashram in Haridwar. She travelled through North India, attending religious meetings and taking lessons on oration. She developed sound oratory skills, and Samiti officials, impressed by her oratory skills, invited her into their organization. She became very important within the VHP and was their chief spokeswoman for the Ramjanmabhoomi movement. Her speeches were recorded and broadcast across the country and dispersed within the homes of people in the form of audio tapes. Rithambara renounced worldly life, and adopted the name ‘Sadhvi’, which is a term used to address a female saint. By abandoning worldly, material life, she projected a certain selflessness and sense of purity reflected by the ideal Hindutva woman.[9] While she may not really represent the traditional Hindu woman, who identifies primarily as a mother or wife, she still finds her place within the home and within conventional Hindu society.

Studying Rithambara’s iconic speech which was broadcast across India is useful in identifying the gender role of women perpetuated through Hindu nationalism, as well as the space that Rithambara creates for herself, and other women, within Hindu nationalist society.

Rithambara begins her speech saying, ‘Hail Mother Sita!’ calling for the restoration of Ram’s place in society. This implies that women need to play a role in the re-establishment of the Ram temple. She goes on to say that in the Hindu epic Ramayana, Sita disobeyed her husband’s orders to return to Ayodhya after her exile from the kingdom and instead committed suicide. Sita does this in order to maintain the honour of her household, as she is no longer a chaste and pure woman after being kidnapped by Ravan.[10] This portrays Hindu women as having a greater role or responsibility than men to ensure that Hinduism and Hindu culture is maintained as it should be. This greater responsibility makes each Hindu woman feel like it is her personal responsibility to ensure that the Hindu nation is restored to its former glory and that therefore that the Ram temple is reconstructed. Thus, women are portrayed as being essential to the building and progression of the movement, defining its boundaries along the way. They are told that they should sacrifice their domestic roles as mothers and caregivers and become militants in order to preserve the virtue of Hindu society; that the duty they have to Hindu society, like the duty Sita had to Ayodhya, overrides their domestic duty. Although this empowers women in the public sphere, it does not empower them within their homes and families, as they still do not have control over their own sexualities, nor is there equal division of labour. Their sexuality is kept completely out of the discourse and they are presented as celibate soldiers. In her speech, Rithambara uses language that would be construed as very crude and vulgar, indicating that she takes on traits that are associated with men and masculinity. She effectively de-sexualizes herself through this process, indicating that women’s sexuality must be left out of this entire discourse.

The story of Ram and Sita presents the ideal Hindu society and family, intact with all the expected gender roles of women. Essentially, Rithambara, and other female Hindutva leaders, are used to recreate gender roles so that other woman can be mobilized to act militantly in Hindu nationalist movements.

Rithambara also narrates a story about Akbar, a Muslim king, and Birbal, his favourite Hindu minister. Akbar and Birbal are going riding when they pass by a Tulsi plant. Birbal gets off his horse, kneels, and says ‘Hail Mother Tulsi!’ Akbar makes fun of him, saying ‘Let us see how strong your mother is.’ He gets off his horse and pulls the Tulsi plant out of the ground. Birbal does nothing as he feels helpless, being the subject of a Mughal empire. Later on, they see another plant and Birbal kneels down in front of it too, praying. Akbar again pulls the plant out of the ground and throws it away. This time around, since the plant is a nettle, Akbar’s body begins to itch badly and he has a bad allergic reaction. Seeing this, Birbal says, ‘Oh, protector of the world, pardon my saying that our Hindu mothers may be innocent but our fathers are hard bitten.’ To this, Birbal responds, ‘Go and ask forgiveness of my mother Tulsi. Then rub the paste made out of her leaves on your body and my father will pardon you.’[11]

In this story, the Hindu woman is epitomized by the Tulsi plant, which is known for its medicinal and spiritual properties. The woman is portrayed, much like Sita, as being a balm to soothe the pain of society. She is able to cure the wounds of a destructive masculine world. Although she lies outside the political realm, she is the best cure for it. The woman is also presented as docile and a little repressed, as she does not hurt the king. Her male counterpart is aggressive and unrelenting. This too reaffirms gender roles.

Another prominent Hindutva leader is Kamlabehn, a dedicated female volunteer of the RSS. She comes from a family of dedicated RSS cadres. Kamlabehn owes her empowerment and emancipation from the confines of traditional Hindu society to the RSS and Hindu nationalism. She specifically speaks of the admiration she has for her mother and the strength that she required to break free from her orthodox upbringing.[12] She says that it is because of the RSS that her father sent her to an English-medium school and let her enter what were otherwise all-male domains, like engineering. Growing up, Kamlabehn dressed in ‘male’ clothes—her staple clothing was an oversized men’s shirt, trousers and tennis sneakers.[13] Her female family members disapproved of the fact that she did not wear a saree, which they considered the ideal dress for women. Kamlabehn refused to marry an RSS sevak whom she got to know during her college days, telling him, ‘I am already married to the Samiti, I am married to the Nation, not to any man.’[14] Through all this, Kamlabehn effectively denies all gender stereotypes and tries to create a space for herself, which is not associated with her gender or sexuality.

After this, Kamlabehn became a full-time, celibate, and single pracharika. Pracharikas are responsible for organizing daily shakhas and coordinating various campaigns. Their work requires that they travel frequently, often alone on public transport. These women therefore become extremely spatially mobile, moving well beyond the confines of the home, unprotected by any male companions. Pracharikas like Kamlabehn thus challenge existing patriarchal norms of society.

Kamlabehn, however, later proposed to the same sevak she had initially spurned and they got married. Her proposing to him is also unconventional in her society. Their marriage did not take the usual course of marriages, either. The couple never lived together. Kamlabehn lives in a flat in Ahmedabad, while her husband lives in Mumbai. She continues to impart para-military skills at her local shakha, although she is no longer a pracharika. Unlike other marriages, her marriage gave her more freedom and space rather than less. She was no longer answerable to her family, as they expected her husband to protect her and care for her. However, since her husband was rarely ever there, she was not really answerable to him either. Unlike most women who are viewed as being a danger to society when they are not under the control of a man and are fairly sexually free, Kamlabehn is regarded with respect and even revered by many for her dedication to the cause of Hindu nationalism. Like Rithambara, Kamlabehn refuses to put herself into the box of traditional Hindu femininity, while remaining respected in Hindu society.

For both Kamlabehn and Rithambara, the RSS was the primary route to empowerment. However, all this empowerment and emancipation are only justified because women are believed to need to protect herself from the licentious Muslim so that they may continue to perpetuate Hindu culture and society. Thus this emancipated position of women is inherently tied to the demonization of another: the Muslim, whose communal identity is fundamental to the existence of a Hindutva politic.

For many Hindu women, the Ram Rath Yatra gave them an opportunity to break out of their homes and come into the public sphere. It has given them freedom and a purpose beyond the confines of their homes.

However, their actual role in these riots comes into question. Some ethnographic research suggests that ordinary women rarely participate in communal riots or communal violence of any sort. When they do, it is generally when they feel threatened and act in defence. Mostly, it is the women leaders of these movements and the sevikas and pracharikas who participate robustly in violent Hindutva activism.[15] The inflammatory speeches given by women like Rithambara give the illusion that there are many women fighting Muslims vehemently. But when women do participate, their participation tends to be passive, rather than aggressive and forthcoming. For example, in the Bombay riots of 1993, female Shiv Sena supporters stood and watched on the sidelines as violence was perpetrated on Muslims. However, they were not actively involved in the looting and murder that took place.[16]

There remains some dispute on this front, though. Some studies show that around 20,000 women participated in the Ayodhya massacre over the course of a single day, many of whom were trained by the Samiti. Around 55,000 women from Durga Vahini, the female youth wing of VHP also participated in these demonstrations.[17] Therefore, it is not possible to reach any real consensus on whether or not the participation of women like Rithambara and Kamlabehn in militant Hindu nationalism effectively mobilizes other women to participate in it as well or not.

The idea of the endangered Hindu woman who needs protection is, however, an extremely useful tool in mobilizing people to act violently by re-invoking and playing on emotions. Women are essentially used as a weapon for violent mobilization against Muslims and as a symbol of the threatened Hindu culture and religion. There is a lot of talk about women being brutally sexually assaulted and mutilated by Muslim men. Rithambara’s speech, for example, refers to women’s thighs being ‘burnt with red hot irons.’[18] This disturbing imagery is used to persuade people to act violently and in ways that they would not perhaps have rationally chosen to do.

On the one hand, Hindu nationalist politics has created opportunities for women and emancipated them. On the other, it has reinforced existing gender roles and identities in Hindu society.

Just as Muslim males are always viewed as persons who want to ‘breed’, populate the country with Muslims and outnumber Hindus, and they are believed to all have multiple wives, be lecherous and constantly out to seduce women and abuse them, the Hindu identity is by contrast thought of as a vulnerable, threatened Hindu woman. Violence is therefore viewed as essential in re-asserting the honour of the Hindu male and his ability to protect that which is his, Hindu women. This objectifies women as they seem to hold the same value and ability as the man’s property which he alone can protect; which cannot protect itself. Therefore, by joining the Hindutva brigade, women subscribe indirectly to a system entrenched in patriarchy and male superiority. Hindu nationalism legitimizes the dominance of men over women by giving it a political platform.

Before concluding, a little more needs to be said about the paradox of Hindu nationalism. On the one hand, the Sangh encourages women to break away from gender stereotypes and participate, albeit violently, in strident Hindu nationalism. However, it also strongly defends conventional ideas of a woman’s ‘place’ in society. For example, the BJP strongly supported the sati of Roop Kanwar, a 17-year-old wife in Rajasthan, citing various Hindu scriptures that justified the banned practice of sati.[19] They maintained that the ideal Hindu woman is always a dutiful wife, ready to die at her husband’s funeral pyre. Work by female poets like Shraddha Suman Mala (sold in the VHP office) venerates sacrifices by mothers and martyrs’ wives. Generally, militant political mobilization is left primarily to the RSS, while members of the Samiti focus more on disseminating Hindutva ideology through neighbourhood contact with non-Samiti women.[20] Often, women themselves retract into the domestic space and choose not to engage in more dominant political assertion as they are uncomfortable with the inherent violence present in and propagated by Hindutva ideology. Although Hindutva groups often draw attention to the inherent inequalities between man and woman present in Islamic scripture and practices, they remain silent on Hindu practices and laws that are derogatory to women.

Thus, although involving women in Hindutva politics might empower them in the public sphere, the gender roles and imbalances within the typical patriarchal Hindu family are not confronted. This might be because exploring these domains of domestic inequity would undo the nationalist narrative of the spiritual, harmonious, just Hindu family. In order to protect this narrative, Hindu women are encouraged, through nationalist Hindutva discourse, to sacrifice their individual rights at home in the name of a greater cause—the establishment of a Hindu nation. They are told that if they do not perform their culturally established roles properly, then their families suffer and so does the entire nation.

In conclusion, the figure of the woman plays a prominent role in Hindutva politics. It is used as a symbol for the injured and mistreated ‘Bharat Mata.’ In Indian society, tarnishing what is construed as female honour is considered a much graver offence than tarnishing ‘male honour’. Thus, Hindu men are effectively mobilized to act violently against the Muslim through this image of the hurt woman. The Hindutva movement has largely failed to mobilize women themselves to participate violently and militantly in protests and riots. However, it has helped to emancipate them from conventional Hindu society in many ways.



[1] Richard H. Davis, “The Cultural Background of Hindutva,” in India Briefing: Takeoff at Last?, ed. Alyssa Ayres and Philip Oldenburg (Armonk, NY: M. E. Sharpe, 2005), 107-139.
[2] Maya Azran, “Saffron Women: A Study of the Narratives and Subjectivities of Women in the Hindutva Brigade,” Columbia Undergraduate Journal of South Asian Studies Issue II (Spring 2010).
[3] Richard H. Davis, “The Cultural Background of Hindutva,” in India Briefing: Takeoff at Last?, ed. Alyssa Ayres and Philip Oldenburg (Armonk, NY: M. E. Sharpe, 2005), 107.
[4] Richard H. Davis, “The Cultural Background of Hindutva,” in India Briefing: Takeoff at Last?, ed. Alyssa Ayres and Philip Oldenburg (Armonk, NY: M. E. Sharpe, 2005), 107-139.
[5]Ibid.
[6] Anand Bodh, “I am single, so best man to fight graft: Narendra Modi,” Times of India, February 17, 2014, accessed April 23, 2016, http://timesofindia.indiatimes.com/india/I-am-single-so-best-man-to-fight-graft-Narendra-Modi/articleshow/30536843.cms.
[7] Maya Azran, “Saffron Women: A Study of the Narratives and Subjectivities of Women in the Hindutva Brigade,” Columbia Undergraduate Journal of South Asian Studies Issue II (Spring 2010).
[8] Sudhir Kakar, The Colours of Violence: Cultural Identities, Religion, and Conflict (Chicago University Press, 1996), 153.
[9] Maya Azran, “Saffron Women: A Study of the Narratives and Subjectivities of Women in the Hindutva Brigade,” Columbia Undergraduate Journal of South Asian Studies Issue II (Spring 2010), 56.
[10]Amrita Basu, “Hindu Women's Activism in India and the Questions it Raises,” Appropriating Gender: Women’s Activism and Politicized Religion in South Asia, ed. Patricia Jeffrey and Amrita Basu (London: Routledge, 2008), 167-184.
[11] Sudhir Kakar, The Colours of Violence: Cultural Identities, Religion, and Conflict (Chicago University Press, 1996), 161.
[12] Paolo Bacchetta, Gender in the Hindu Nations: RSS Women as Ideologues (New Delhi: Women Unlimited, 2004), 66.
[13] Ibid, 69.
[14] Ibid, 70.
[15] Kalyani Devaki Menon, Everyday Nationalism: Women of the Hindu Right in India (University of Pennsylvania Press, 2012), 80.
[16] Ibid.
[17] The World Before Her 2013, documentary
[18] Maya Azran, “Saffron Women: A Study of the Narratives and Subjectivities of Women in the Hindutva Brigade,” Columbia Undergraduate Journal of South Asian Studies Issue II (Spring 2010).
[19] T.K. Rajalakshmi, “‘Sati’ and the verdict,”Frontline accessed on  October 29 2014, http://www.frontline.in/static/html/fl2105/stories/20040312002504600.htm
[20] Syed Hussain Shaheed Soherwordi, “Hindu Nationalism and the Political role of Hindu Women: Ideology as a Factor,” South Asian Studies Vol. 28, No. 1 (January – June 2013), 45

Amala Dasarathi is a student of the B.A.L.L.B Program at the Jindal Global Law School, Sonipat

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